"Cahiers du Cinéma", Nº: 1-300 (French Edition)

Cahiers du Cinéma is a French film magazine founded in 1951 by André Bazin, Jacques Doniol-Valcroze and Joseph-Marie Lo Duca. The controversial texts published in its first decade revolutionized the way the world thought about cinema. In this period, critics that would soon become an acclaimed group of filmmakers (Godard, Truffaut, Rohmer, Chabrol, Rivette, later known as part of the movement Nouvelle Vague) wrote about la politique des auteurs (the auteur theory), that is, the director as the only author of the film, and became known for its violent attacks in the literary cinema, la tradition de qualité (quality tradition), that pleased the older generations, also called cinéma du papa (daddy's cinema). In the next years, Cahiers developed further its theories until the events of May 1968, where it became radically politicized in Maoism.

These are the first 300 numbers of the film magazine. They begin in April 1951 with the iconic photography of Gloria Swanson in Sunset Boulevard on its cover, and end in May 1979. These volumes are in the original French and in black-and-white.

Link to the complete magazines in PDFs:


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